Signs from Petrarch for soprano, women’s choir, alto flute, viola and harp (15’) (2021/22) 18 p.

wind and silence for mezzo-soprano, two tenors and baritone (12’) (2017) 11 p.

Lucretius Harmony for chorus (ca. 60’) (2016–) (in process)

Cosmological Plants for two performers, electronics, objects, set and lighting (20’) (2016) 10 p.

A bird in the beast for small choir (ca. 10’) (2016) 10 p.

Lucretius Melody for soprano, viola, two guitars and electronics (37’30”) (2015-2016)

asleep, wind, voice, poe for piano, trio, percussion, voice and playback (90’) (2013) 17 p.

Lucretius Monody (for solo voice) (ca. 20’) (2008/9) 8 p.

20 songs / le clavecin des prés (voices, chamber orchestra) (25’) (2008) 27 p.

nachtstimmung (12 performers, some staging) (90’) (2007/8) 88 p.

Lucretius Counterpoint (for male voices, flute, cello, percussion) (25’) (2007) 14 p.

Tombstones, 20 songs with instruments (2006–10) 25 p.

Reading Spinoza (V) for speaker and piano (ca. 4 hours) (2002-04) 104 p.

Tag und Nacht sind zwei Jahre for speaker, electric guitar, stones (with texts by Oswald Egger) (60’) (2003) 15 p.

Wool Flowers for mezzo soprano, flute, clarinet or oboe, perc, guitar and string (55’) (2001) 6 p.

ab da for voice and two or four musicians (20’) (1999) 3 p.

Dérive for choir (variable) (1998) 1 p.

braids for (silent) reader (30’) (1997) 32 p.

untitled for speaker, flute, accordion, vibraphone (34’) (1997) 20 p.

here (4/2) for vocal quartet (58’24”) (1997) 16 p.

mind is moving (VI) for reader (9’–120’)(1996), 13 p.

word for vocal quartet (SATB) (30’–120’ (1994) 70 p.