side by side for percussion (30’) (2021) 7 p.

Melody (for Malatesta) for percussion and electronics (20’) (2021) 10 p.

Manifold (for Malatesta) for percussion and electronics (29’) (2020) 3 p.

The narrow path (早春圖) for solo vibraphone (14’) (2020)

When I hear light for vibraphone and electronics (16’) (2016/17) 3 p.

asleep, desert, choir, agnes for 22 musicians and electronics (30’) (2016) 18 p.

A mist is a collection of points for piano, percussion and electronics (60’) (2014/15) 25 p.

Living With the Death of Time for eleven percussionists (ca. 10’ to 60’) (2012/13)

Closed Categories in Cartesian Worlds for crotales and sine tones (open duration) (2011-12) 11 p.

A transparent gate (with ten panels) for solo percussionist with 8 small speakers (100’) (2011) 10 p.

A drum acted upon by friction, gravity and electricity for snare drum (ca. 17’) (2011) 2 p.

Hearing Metal 4 (for glockenspiel and electric guitar with electronics) (25’) (2010/11) 4 p.

Hearing Metal 3 (for 16 cymbals, sine tones and filtered noise) (45’) (2010) 64 p.

Hearing Metal 2 (for recorded percussion and field recordings) electronic (60’) (2010/11)

July Mountain (field recordings and percussion) (21’) (2009) 7p.

Two Stones (for one to four performers) (40’) (2008/9) 4 p.

Four pieces for Recorded Percussion (Il faut attendre) (ca. 80’) (2008) 31 p.

Hearing Metal 1 (for recorded tam-tam) (ca. 64’) (2008) 5 p.

A wave and waves (100 percussion) (74’) (2007) 208 p.

A wave and waves (Berlin performance version) as above, w/perc, fl, vln, e-guit, harm (2010) 12 p.

ricefall (2) for 16 to 64 performers (72’) (2007) 7 p.

ricefall (2a)—melodic extensions for ricefall (2) for 2 performers (multiples of 18’) (2010) 4 p.

ricefall (2b)–sine tones and harmonic extensions for ricefall (2) (2016) (14 p.)

ricefall (1) for 16 to 64 performers (18’) (2004) 20 p.

For Carrie Biolo for percussion (Divided into Silences, Was was and is) (variable) (2000) 3 p.

one sound for two bass drums (15’–70’) (1997) 2 p.